History of Photography

H of P Seminars
Critical Studies
E. Chambre Hardman



Bibliography for History of Photoraphy


Bibliography for Cyberculture



Bibliography History of Photography

Adams R. Beauty in Photography: Esays in Defence of Traditional Values (New York : Aperture, 1981)

Alpers S. The Art of Describing; Dutch Art in the Seventeenth Century (University of Chicago Press, 1983)(London; Penguin 1989)

Amateur Photographer, London 1884 - in progress.

Arnold H.J.P. William Henry Fox Talbot: Pioneer of Photography and Man of Science (London: Hutchinson Benham Ltd, 1976)

Barthes R. Camera Lucida [La Chambre Claire (Paris, Editions du Seuil, 1980)] (London : Jonathan Cape, 1982)

Batchen J. Burning with Desire (London & Massachusetts: M.I.T. Press, 1997).

Benjamin W. Art in the Age of Mechanical Reproduction : in Illuminations ed. Arrendt H. (London: Jonathan Cape, 1970) (London: Fontana Collins 1973,1978)

Berger J. Ways of Seeing (London: Penguin, 1972)

British Journal of Photography, Liverpool and London 1860 - in progress.

Buckland G. Fox Talbot and the Invention of Photography (Boston: David R. Godine, 1980)

Camerawork, New York 1903-17.

Chiaromonte G. The Story of Photography, an Illustrated History (NY :Aperture,1981)

Clarke R. The Photograph (London:Oxford University Press, 1997)

Coke VD. The Painter and the Photograph, From Delacroix to Warhol (Albuquerque: University of New Mexico Press, 1964)

Coleman A.D. Critical Focus;Photography in the International Image Community (New York: Nazraeli Press, 1994)

Cox B. The Pictorial Photography of J Dudley Johnston, 1905-1940 ( London: The Royal Photographic Society, 1952)

Crary J. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Mass; MIT Press, 1991)

Dhargalkar I. (Ed) Photographs and Photographically Illustrated Books, London May 1995. &1996 ( London: Christies, 1995 & 1996)

Eakins R. (ed), Picture Sources UK (London: Macdonald,1985)

Eskind A. Photography Database Available on the Internet in Visual Resources Vol X No2. pp119-127 (S.A, USA : Gordon & Breach Science Publishers,1994))

Eskind A. (ed) Index to American Photographic Collections (Boston: G.K.Hall, 1982, 1990)

Evans H. Art of Picture Research (London: David & Charles, 1979)

Evans H & M.(eds), Picture Researchers Handbook, International Guide to Picture Sources and How to use Them. (London: David & Charles,1975)

Foster J. & Sheppard J. A Guide to Archive Resources in the United Kingdom (London: Macmillan, 1995)

Frith F. Egypt and the Holy Land in Historic Photographs (NY:Dover:, 1860 reprintred 1980)

Galassi P. Before Photography (New York; Museum of Modern Art, 1981)

Garner P. (Ed) Photographic Images and Related Material, London May 1995 & 1996 ( London: Sotheby's, 1995 & 1996)

Gaskins B. (Ed) Perspectives on Landscape (London, Arts Council of Great Britain, 1978)

Gernsheim H. Creative Photography, Aesthetic Trends 1839 to Modern Times ( New York: Bonanza Books, 1962)

Gernsheim H. The Origins of Photography ( Oxford: The Oxford University Press,1955) (London: Thames & Hudson, 1982)

Gernsheim H & A. Alvin Langdon Coburn, Photographer (New York: Dover, 1978)

Gernsheim H & A. Roger Fenton Photographer of the Crimean War (New York : Arno press, 1954, 1973)

Goffman E. Gender Advertisements (London: Macmillan Press, 1979)

Green J. (ed) Camerawork a Critical Anthology (New York: Aperture, 1973)

Green J. American Photography in the 1950's in Turner P.(ed.)American Images 1945-1980 (London;Penguin and Barbican Art Gallery, 1985)pp.53-58.

Hankey JL. Alex Keighley, Artist and Photographer 1883 - 1947 (London: Royal Photographic Society, 1947)

Hannavy J. Roger Fenton of Crimble Hall (London: Gordon Fraser, 1975)

Hawthorne N. The House of Seven Gables [1851] (Ohio, Ohio State University Press, 1965) (London Penguin, 1986)

Harker MF. The Linked Ring, The Secession in Photography 1892-1910 (London: Heinemann / Royal Photographic Society , 1979)

Harker MF. Henry Peach Robinson, Master of Photographic Art 1830-1901 (Oxford: Basil Blackwell, 1988)

Harker MF. E.Chambré Hardman Photographs 1921-1972 (Liverpool: National Museums and Galleries on Merseyside, 1994)

Haworth-Booth M. (ed) The Land (London: Gordon Fraser, 1975)

Haworth-Booth M. Bill Brandt:Shadow of Light (London Thames & Hudson, 1977)

Heron L. & Williams V Illuminations; Women writing on Photography from the 1850's to the Present (London NY; IB Taurius, 1996)

Hershkowitz R. The British Photographer Abroad, The First Thirty Years ( London, Robert Hershkowitz Ltd, 1980)

Hevey D. The Creatures Time Forget : Photography and Disability Imagery (London: Routledge , 1992)

Hiley M. Frank Sutcliffe (Boston, David R. Godine : 1974)

Homberger E. Can we say absolutely anything we like about photography ? Word & Image Vol 4: Nos 3 & 4, pp 732-738 (London:Taylor & Francis, 1988)

Hopkinson T. (ed) Picture Post 1938 - 1950 (London : Penguin, 1979)

Jay B. Victorian Cameraman: Francis Frith's view of Rural England 1850 - 1898 (Newton Abbot, Eng : David & Charles, 1973)

Jay B. Occam's Razor (Munich : Nazraeli Press, 1992)

Jeffrey Ian. Photography a Concise History (London: Thames & Hudson, 1981)

Johnson W.S. Nineteenth Century Photography An Annotated bibliography 1839 - 1879 ( London: Mansell, 1990)

Kelly SF. Victorian Lakeland Photographers ( Shrewsbury: Swan Hill Press, 1991)

Lemagny JC and Rouille A. (eds) A History of Photography: Social and Cultural Perspectives, translated Janet Lloyd (Cambridge: Cambridge University Press, 1987)

Lloyd V. Photography the First Eighty Years (London: Colnaghi, 1976)

Mellor D. (Ed) Modern British Photography 1919 -39 (London; Arts Council of Great Britain, 1980)

Mellor D. (Ed) A Paradise Lost, The Neo-Romantic Imagination in Britain 1935-55 (London: Lund Humphries and Barbican Art Gallery, 1987)

Nash M.(ed) Paul Nash, Fertile Image (London, Faber & Faber, 1951)

Naylor C.(ed) Contemporary Photographers (London/NY, St James Press, 1988)

Newhall B, The History of Photography (New York: The Museum of Modern Art and George Eastman House New York, 1964) (London: Secker & Warburg ,1972)

Newhall B. Frederick H.Evans (New York, Aperture. 1975)

Newhall N. (ed.) The Daybooks of Edward Weston (New York, Aperture,1973)

Newhall N. PH. Emerson, The Fight for Photography as a Fine Art (New York: Aperture, 1975)

Photograms of the Year : London 1895 - 1962

Photographic Journal, The : London 1853 - .

Reed (eds), The Creative Handbook (London: Reed Information Services,1995)

Roberts P. Yevonde (London; National Portrait Gallery, 19 )

Roosens L. & Salu L. History of Photography: A Bibliography of Books (London: Mansell Ltd, 1989)

Rosenblum N. A World History of Photography (London: Abbeyville Press, 1984)

Rosenblum N. A History of Women Photographers (London: Abbeyville Press, 1994)

Sampson GD. Samuel Bourne and Nineteenth Century British Landscape Photography in India (PhD diss.Univ of Ca, Santa Barbara,USA : DA 9204617)

Scharf A. Art and Photography ( London:Penguin, 1968, 1974)

Shwartz H. Art and Photography: Forerunners and Influences (1949)(Layton, UT.: PeregrineM. Smith Books, 1985)

Simkinson B. (Ed) A Selection of the Pictorial Work of M.O. Dell (London: Royal Photographic Society, 1961)

Robinson H.P. Pictorial Effect in Photography (reprint) (Pawler, Vermont : Helios, 1972)

Sontag S. On Photography (London & NY, Penguin, 1977)

Spalding F. & Jeffrey I (Eds) Landscape in Britain 1850 - 1950 (London: Arts Council Of Great Britain, 1983)

Spence J. Putting Myself in the Picture (London :Camden Press, 1985)

Spence J. & Holland P. (eds.) Family Snaps (London; Virago, 1991)

Szarkowski J. Photography until Now (New York: The Museum of Modern Art, 1989)

Szarkowski J. Mirrors and Windows, American photography from 1960 (New York, The Museum of Modern Art, 1978)

Talbot W.H.F. The Pencil of Nature (1844) [Facsimile (NY: De Capo Press, 1961)]

Taylor J. Pictorial Photography in Britain 1900-1920 (London: Arts Council of Great Britain, 1978)

Taylor J. A Dream of England, Landscape Photography and the Tourist's Imagination (Manchester, Manchester University Press, 1994)

Turner P. & Wood R. Peter H. Emerson, Photographer of Norfolk (London: Gordon Fraser, 1974)

Turner P.(ed.) American Images :Photography 1945-1980 (London; Penguin / Barbican Art Gallery. 1983)

Webster F. The New Photography (London; John Calder, 1980)

Williams V. English Collections of Women Photographers in National Museums , in History of Photography Vol 18 No. 3 Autumn 1994 (London: Taylor & Francis, 1994)

Williams V. The Other Observers: Women Photographers in Britain 1900 - Present (London :Virago, 1986)

Weaver M (Ed) The Art of Photography 1839 - 1989 (London: Royal Academy of Arts, 1989)

Wells L. (Ed) Photography: A Critical Introduction (London: Routledge, 1997)


Cyberculture Bibliography


Ainley Rosa (ed.) New Frontiers of Space, Bodies, and Gender (New York and London: Routledge, 1998). Reader*** addresses specific themes or subcategories in digital media, but lacks breadth

Arnowitz Stanley Technoscience and Cyberculture (London; Routledge, 1996)[ARC 306.45]

Balsamo Anne Feminism for the Incurably Informed in South Atlantic Quarterly (Duke University Press) Fall 1993, Volume 92 No4 pp681-712.

Bailey Cameron Virtual Skin: Articulating Race in Cyberspace in (Moser & MacLeod, 1996)pp.29-49.

Bay Hakem T.A.Z. the Temporary Autonomous Zone [ARC306BEY]

Bender G.& Druckrey T.(eds) Culture on the Brink (NY;Bay Press,1994) [ARC303.483BEN]

Benedikt, Michael Cyberspace: First Steps, (Cambridge, MIT Press, 1992). Early reader**

Birkerts Sven The Gutenberg Elegies (London;Faber & Faber, 1996) [ARC 306.488BIR]

Brook, James & Iain A. Boal (eds.) Resisting the Virtual Life: The Culture and Politics of Information (San Francisco: City Lights, 1995). Reader***addresses specific themes or subcategories in digital media.

Conley, Verena Andermatt et.al.(eds.) Rethinking Technologies (Minneapolis: Minnesota, 1993). Excellent**** theoretical contributions to the literature, but remain somewhat esoteric for the general reader.

Critical Arts Ensemble Electronic Disturbance [ARC303.483CRI]

Cubitt Sean Digital Aesthetics, Theory, Culture and Society (London and New York;Sage,1999). Theoretical contribution to the literature.

Druckery, Timothy Electronic Culture: Technology and Visual Representation (New York: Aperture, 1996). Excellent****with 29 authors and 447 pages.[ARC302.23DRU]

Friedman Alan J. Summary: Five Solutions to Intellectual property issues in a Digital Age in Leonardo (New York)1996 Vol.29. No.4.pp.321-2.

Grau Oliver Into the Belly of the Image: Historical Aspects of Virtual Reality in Leonardo (New York) Vol 32.No.5.pp365-371

Harraway Donna J. Simians, Cyborgs and Women, The Reinvention of Nature (London; Free Association Books, 1991}[

Hayles Katherine N. Boundary disputes: Homeostasis, Reflexivity. and the Foundations of Cybernetics in (Markley ed.1996)pp.11-37.

Holeton Richard Composing Cyberspace: Identity, Community, and Knowledge in the Electronic Age (New York: McGraw Hill, 1998). Reader*** Heavily relying on excerpting, this English Composition-oriented book fits 45 writers in to 450 pages, along with cartoons, study questions, and a glossary.

Jones Steven G. Cybersociety: Computer-Mediated Communication and Community (London; Sage, 1995).

Kittler Friedrich A. literature and Information Media Systems (London; GB ARTS, 1997)

Kroker Arthur Data Trash, The Theory of the Virtual Class [ARC303.483KRO]

Leeson, Lynn Hershman (ed.) Clicking In: Hot links to a Digital Culture (Seattle: Bay Press, 1996). Early reader** suffers from the uneven quality of its entries.

Loader, Brian The Governance of Cyberspace: Politics, Technology and Global Restructuring (London and New York: Routledge, 1997); Reader***addresses specific themes or subcategories in digital media, [ARC303.483LOA]

Loader, Brian Cyberspace Divide: Equality, Agency, and Policy in the Information Society (London and New York: Routledge, 1998). Reader***addresses specific themes or subcategories in digital media, but lack the general breadth [ARC303.483LOA]

Lunenfeld, Peter The Digital Dialectic: New Essays on New Media (Cambridge: MIT, Press, 1999). Excellent**** theoretical contributions to the literature, but remain somewhat esoteric for the general reader.

Markley Robert (ed.) Virtual Realities and Their Discontents (Baltimore & London; The John Hopkins University Press,1996)

Markley Robert History, Theory and Virtual Reality introduction to Virtual Realities and Their Discontents (1996). [ARC809.93356MAR]

Moser, Mary Anne and Douglas MacLeod (eds.) Immersed in Technology: Art and Virtual Environments (Cambridge: MIT Press, 1996) Reader*** addresses specific themes or subcategories in digital media, but lack the general breadth

Penley, Constance and Andrew Ross (eds.) Technoculture (Minneapolis: Minnesota, 1991) Excellent****with 321 pages and 12 contributors, but a little out of date (?). [ARC303.483PEN]

Penny Simon Virtual Reality as the Completion of the Enlightenment Project in Bender & Druckrey (1994)

Penny Simon Critical Issues in Electronic Media (State University of N.Y.Press, 1975) [ARC302.234PEN]

Porter, David (ed.) Internet Culture (New York and London: Routledge, 1997); Reader*** addresses specific themes or subcategories in digital media, but lack the general breadth

Poster Mark The Second Media Age (Cambridge;Polity Press, 1995) [ARC302.23]

Remann, M David et.al.(eds.) Computers, Ethics and Society (New York: Oxford, 1997). Presents numerous short pieces on digital topics. Reader***

Roszak Theodore The Cult of Information: A Neo Luddite Treatise on High Tech, Artificial Intelligence and the True Art of Thinking (Berkely; University of Los Angeles Press 1994) [ARC303.483ROS]

Smith Anthony Software for the Self (London;Faber, 1996)

Sobchack Vivian New Age Mutant Ninja Hijackers: Reading MONDO 2000 in South Atlantic Quarterly (Duke University Press) Fall 1993, Volume 92 No4 pp569-584.

Stefik, Mark Internet Dreams:Archetypes, Myths, and Metaphors (Cambridge: MIT Press, 1997). Early reader**

Toulouse, Chris and Timothy Luke (eds.) The Politics of Cyberspace (New York and London, Routledge, 1998). Reader*** addresses specific themes or subcategories in digital media.

Trend D. & Jackson T.A. Reading Digital Culture (pub Summer 2000)

Virilio Paul Lost Dimension [L'Espace Critique, 1984]trans. Moshenberg D. (NY;Semiotext(e),1991) [ARC303.483VIR]

Virilio Paul The Art of the Motor [L'Art du Moteur,1993]trans. Rose J. (London; University of Minnesota Press, 1995.


CyberTechn´┐Ż Bibliography

Castro Elizabeth HTML for the World Wide Web (Berkeley;Peach Pit Press, 1997)

Donovan Jason Director Demystified

Hughes Bob Dust and Magic:Secrets of Succesful Multi Media Design (London; Addison Wedsley, 1999)

Moock Colin ActionScript The Definitive Guide (O'Reilly, Sebastapol CA, 2001)

On-Line Resources

Manovitch Lev The Aesthetics of Virtual Worlds www.nettime.net

Manovitch Lev Database as a Genre of New Media www.nettime.net

Crab Simon 120 Years of Electronic Music www.obsolete.com

Small Peter A Life of Avatars www.avatars.net

Nelson Ted Project Xanadu www.xanadu.net

Engelbart Doug A Conceptual Framework for the Augmentation of Man's Intellect www.bootstrap.org

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