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Andrew Marre

<|| To Beginning || <= Yesterday ::::: Tomorrow =>

020 24th January 2004

The convergence of the still and moving picture is as radical a development in the history of photography as the potential for modern post production to treat the digital image as a tabula rasa.

The image has replaced the photograph, the photograph was something made of paper, or latterly some resin based support for an alchemical silver mix, an archaic nineteenth century invention which appeared to fingerprint the light, during a fraction of a second. The digital image by contrast is a moving or static pixel display which rehabilitates the illuminated manuscript.

liverpool 2004

 

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