mobiles

H:	Batteries, memory, lighter, papers
A:	Shall we take a bottle?
P:	Brandy? Don't confuse us Albertine, Holly was asking about the text
A:	The dead hand of the critic I'd say
P:	That's the metaphor. But how does it affect the viewing and once you start such an analysis, is the end point merely arbtrary.
A:	Analysis, analysis the trivia of academic writers, neurophysiology tells us that we don't respond to art by analysis; that is a secondary concern. We need to keep the mystery!
P:	You learn more by looking outside of the picture.
H:	What's that thing - there; that you haven't labeled?
P:	It's irrelevant
H:	But it's there, it must be a part?
A:	The charm of photographs are the incidental inclusions, the messy warp and weft of the world
H:	I like the colour one best
P & A	Me to
A:	Shall we go ?
:	Ad lib goodbyes to Holly

gumbo